Due to the strictness of the schedules, the movements in the interior are continuous and fast causing stress to the people. Therefore, its design should aim to reassure them and create a sense of security. The fastest approach to this goal is to incorporate nature into it.

It must fully meet all the complex functional requirements. It is a facility with a strict building program. In its inner space, the movement is continuous, in a two-way shape. Those who cross it do not leave in the direction from which they came. The traffic flows are specific, and the public spaces regulate the accessibility of the world to those, depending on the reason for their visit. It is not a building you choose to visit. If you book an air trip, you must cross its interiors. Consequently, the elements that make it up, symbolical or not, remain with the passenger as memories of the place he passes or visits.The main role in the design of an airport terminal building is occupied by its roof. After several design attempts, I ended up creating a roof with a similar shape to that of the grain of wheat. An additional goal was the architectural design without altering the natural terrain of the fields that extend into the area. To achieve something like this, the ground and specifically the fields that will be replaced by all the facilities of the air station would have to be relocated. The proposed design solution refers to an industrial roof that touches the ground at its ends, while smoothly rising in the middle, creating the feeling of a “hill”. The ground in turn intervenes on the constructed roof maintaining the “smooth morphological continuity” of the area. Whereas, all the airport functions are completely covered and protected by its roof, just as the husk of the grain of wheat covers and protects its interior.

“ The design of curves, spaces, and elements, even the shape of notice boards, railings, and service desks must fit together. The passenger traversing the building must experience an entirely designed environment, in which each part derives from another and altogether belong to the same morphological and organic world.” For those reasons, the interior of the building has preserved in several places the element of curvature that derives from the form of its ceiling. The shaped interior spaces follow the basic curves created by the projections of the housing. In addition, the canvas of the architectural floor plan on which has been placed the necessary support columns was designed in the same way. The element of the curve also appears in the smallest scale points, such as the frames of the openings. Finally, the green design occupies a large area inside the building, with curvated patios covered by grain fields. Above those green areas, there are peculiar openings that offer the appropriate lighting for their maintenance. The building is clad entirely in glass around the perimeter to allow natural light to enter its interior. While the slope of the ceiling is structured in such a way that shading is achieved in the places where people stay for a long time.